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The best advice I ever received…

June 30th, 2010

Every journalist has at one time received advice from a mentor or colleague that changed their life or how they viewed their career or work. You were asked via Twitter for the best advice you ever received. Here’s what you shared:

 
Best advice was actually criticism meted out by my old news reporting tutor at Cardiff Journalism School (UK) back in the 80s, on reading our pretentious efforts: “Boring Boring Boring!”

So best advice: don’t be boring.

- Jules Marshall

 
“Who, What, Where, When, How, and Why are your only honest friends.”

- submitted by Paul Wiggins

 
“Omit needless words.” – Strunk & White

“Everyone has a story to tell.” – late Elden R. Groves, Editor Emeritus, Farm and Dairy

- submitted by Susan Crowell

 
“Shake as many hands as possible. You never know who could be useful or helpful down the line.”

- submitted by Kase Wickman

 
“Never think you’re too good for PR”.

- submitted by Elizabeth Pears

 
The best advice I ever received is if you’re having trouble starting an assignment, just “get the paper dirty.” Once you start writing, the ideas will start to flow.

- Lauren Irwin

“Know your audience.”

These three words are key to communication and the best journalism is crap without communication. This isn’t merely what do audiences want to know (that part alone leads to gossip/entertainment news overload) but what they need to know and what you need to do to engage them to make message clear.

- Susan Kille

“Marry someone who understands journalism.”

- submitted by Jake Batsell, who was given the sage advice by veteran journalist Walter Cronkite when Jake was an undergrad at Arizona State. Jake will soon celebrate his seventh anniversary with Tracy Everbach, a fellow journalism professor and former reporter.

 

 
And here’s a few more from the web:

 
“Everything comes down to being able to write well. Before you write well, forget Facebook, Twitter, etc. And you learn to write well by reading lots of good stuff and write a lot yourself. And find a good editor!”

- Ben Hammersley, editor, Wired Magazine

 
“If you think the story is worth doing, fight for it.”

- Lester Graham, Great Lakes Radio Consortium

 
“Evolve.”

- Dave Lee

 
So what’s the best I received? Not advice really, but a warning from my former editor Kim Jace: “Those pants are too hip-hop for the newsroom.” The remark was made about some pants I wore that had patches on them and were indeed hip-hoppy, but the lesson I gleaned is that people trust those who look trustworthy, that I shouldn’t dress for the job I had (an internship at the time), but the job I wanted, and that I could be more than I was at the time.

 
You can find more advice for journalists at the Online Journalism Blog and the Journerdism post 32 of the best real world career and life tips for new journalism graduates entering the newspaper industry.

 

 
Also on 10,000 Words:

How Twitter saved my career… and my life
25 Things I’ve Learned About Journalism
10 Things I wish they’d told me in J-School





What is a treemap? 5 examples and how you can create one

June 22nd, 2010

Treemaps are a growing trend in online data visualization and you’ve likely spotted one or two around the web. But what are they?

Treemaps, sometimes written as “tree maps,” display hierarchical information in a series of clustered rectangles, which together represent a whole. The size of each box represents a quantity. Treemaps also can use color to represent any number of values, but it is often used to categorize the various boxes within the treemap.

Interactive and news designers are taking advantage of treemaps to represent a variety of information as in the examples below.

1. BBC News: SuperPower: Visualising the internet

To start you off, here is a simple treemap created by BBC News to visualize what types of web sites are most popular on the web. The “Search/Portal” block takes up the largest space because those sites are most popular. You can also hover over each block to see which sites within the categories are popular. For example, eBay and Amazon are the largest blocks in the larger “Retail” block because they are two of the most popular retail sites on the web.

 

2. The New York Times: Obama’s 2011 Budget Proposal

To visualize something as large and complex as the budget of the United States of America, the Times turned to a color-coded and easy-to-navigate treemap. The treemap is divided into sections, including national defense and social security, and the budgets within those divisions are represented by smaller blocks. You can hover over the smaller blocks to see the monetary amounts and read further descriptions. The colors of each block represent how much each allotment has changed since last year — red represents a decrease and green represents an increase.

 

3. CNN: South Africa 2010: Twitter Buzz

One of the most common ways designers are using treemaps is to track the social media response to a particular event. CNN uses a treemap to visualize the discussion of the World Cup among Twitter users. Instead of a single color, the blocks in the CNN treemap are represented by the flag of the country that is being discussed. In the example below, Argentina occupies the largest, leftmost block because it was, at the time, the most discussed World Cup team.

NBC created a similar “Tweet Tracker” to visualize the discussion around the 2010 Winter Olympics. MTV and Stamen Design used interactive treemaps to visualize the MTV Movie Awards and Video Music Awards (VMAs).

 

4. Nike: Post-Season Twitter Playoffs

Nike’s Twitter treemap, also created by visualization powerhouse Stamen Design, uses proportionate blocks to represent which NBA teams are most discussed on the social network. The Los Angeles Lakers, 2010 NBA champs, are the most discussed team and therefore occupy the largest block.

 

5. Newsmap

Finally, an oldie but goodie — you can’t talk about treemaps with mentioning the Newsmap, an interactive treemap that categorizes the news aggregated by Google News. The various colors represent different sections such as business or politics. The older a news story is, the darker the box becomes. The size of the boxes represents how many similar stories also appear in Google News.

 
You can produce a tree map a number of ways, including using Illustrator or Photoshop to draw proportionate rectangles or by using the visualization tool Many Eyes. You can also use advanced tools like Google’s Visualization API.

In order for treemaps to be easily understood by the viewer, they must be clearly labeled and, for the most part, uncluttered. A treemap can contain any number of boxes, but space restrictions limit how many boxes can be included without it looking like a big mess.

 
Also on 10,000 Words:

Be inspired! 12 ways to find the best in data visualization
8 Ways of visualizing the news
5 Ways to find, mix and mash your data
7 Amazing Twitter visualizations





The 5 most underrated fictional journalists

June 18th, 2010

If you ask a journalist to list their favorite fictional reporters from movies or television, you’ll probably hear the names Clark Kent, Lois Lane, or even Ron Burgundy. This post is a tribute to the great, unsung heroes of journalism, those fictional journalists that even real deal reporters should take notes from:

Angela Vidal and Scott Percival, Quarantine

What happens when you’re out shooting a puff piece and a zombie attack breaks out? You kick some zombie ass that’s what. Reporter Angela Vidal (Jennifer Carpenter) and cameraman Scott Percival (Steve Harris) keep the camera rolling, even as everyone around them turns into flesh-eating monsters. At one point, Scott uses the presumably very expensive camera as a weapon, knocking out zombies with the blunt end of the camera. He then wipes the blood off the lens and keeps rolling. Now that’s bad ass.

Polly Perkins, Sky Captain and the World of Tomorrow

Before the age of digital cameras and instant previewing, journalists were saddled with cameras that required the film to be developed before it could be viewed. Bad news for reporter Polly Perkins (Gwyneth Paltrow) who witnesses amazing adventures and spectacles along with ace pilot Joe Sullivan (Jude Law). The problem is she only has a few clicks left on her one and only camera. It is up to Polly to use her news judgment to decide which of the fantastic things she witnesses are worth capturing on film. She does a great job of it, saving her last few photos to document the awesome things around her. In the end, she saves her last image to photograph her true love Joe…a stirring idea until she realizes she left the lens cap on.

Colleen Lipman, Bring it on Again

Anyone who has ever worked at a college newspaper or broadcast outlet knows how challenging it can be to produce news with a short staff or limited resources. Student reporter Colleen Lipman (Katherine Bailess) makes the most of the situation, doing energetic standups from around the California State College campus and tossing live to…herself.

Edward Cunningham, 7 Faces of Dr. Lao

Small-town newspaperman Edward Cunningham (John Ericson) is a grizzled reporter who is singularly focused and will stop at nothing to expose the corruption of the town’s wealthy land-grabber Clinton Stark (Arthur O’Connell). That is until Dr. Lao (Tony Randall) and his crazy bananas circus comes to town. Edward must then pursue the two biggest stories ever to hit the town at the same time. He asks question, refuses to back down, and makes lots of stern, frowny-faces along the way.

Amber Atkins, Drop Dead Gorgeous

Amber Atkins (Kirsten Dunst), an aspiring journalist and contestant in the fictional Sarah Rose American Teen Princess Pageant, gets her shot when a television reporter is hit by a stray bullet during a live broadcast. She calmly picks up the microphone and begins recounting the events in true TV reporter style. For her grace under pressure, Amber is given a job as an evening news anchor at a local television station. Pretty impressive and one heck of a way to land a job.

 
Also on 10,000 Words:

Great (or greatly amusing) fictional journalists
DVD design: Great menus are great inspiration (Part I)
How to use a video trailer to share your work with the world





NPR CEO Vivian Schiller on collaboration, innovation, and more

June 14th, 2010

Vivian SchillerAt last week’s IRE conference, NPR CEO Vivian Schiller gave a stirring keynote speech to the more than 800 journalists in attendance about how their jobs and the industry had shifted. In her remarks, she commended investigative journalists and new non-profit models, and touted the need for innovation. Highlights from the speech are below and you can read the full speech here.

 

“Partnership does not come easily to most news operations. When I got to NPR I heard ‘we don’t partner well.’ It was said with a little bit of apology…and a healthy dose of pride. And that has certainly been the case at most news organizations. But to increase our impact we at NPR have had to learn to get over ourselves, and to approach collaborations in a new way.”

 

“While I’m as despondent as you are at this newsroom carnage, I’m feeling very hopeful and even excited about what the diaspora of immensely talented journalists has given rise to… dozens (soon to be hundreds!) of new news orgs. Many of them are turning to a new way, the nonprofit way and in doing so are inventing something completely different — a hybrid of past and future, of old media and new.

Perhaps it’s for this reason that journalism pundit Alan Mutter jokingly lamented the short-sightedness of the newspapers who fired so many reporters ‘turned them loose to start so many blogs. They should have executed them. They wouldn’t have had competition. But they foolishly let them out alive.’

Well here we are… alive and very well, thank you.”

 

“We need to harness the power digital technology to create open platforms for our work. We need to create a true NETWORK. Not in the TV network way — there is no single entity that pulls the strings, but rather we need to come together as a network of reporters, data miners, and analysts via open platform technology where all types of media can be searched, combined, sorted. And made accessible to publishers, educators and especially motivated software developers who will invent ways to elevate our work beyond our wildest imagination.”

 

“We must employ digital media in both gathering and distributing the news. And we must adhere to a seriousness of purpose — we’re aiming high and not just for high ratings.”

 
Read the full speech here

 
Also on 10,000 Words:

Wise words from a wise man: Albert Einstein
How Alfred Hitchcock can make you a better storyteller





8 Totally awesome time-lapse videos

June 10th, 2010

Time-lapse video is possibly one of the most underused technologies in digital journalism. Considering its many different uses and how relatively easy they are to create, it’s a shame more videographers and online media aren’t using them. Time-lapse videos have been covered before on this blog, but if you need more reasons to create one, check out the examples below:

1. Eyjafjallajökull

2. NASA: Time Lapse Video of BP’s Gulf Oil Disaster

3. Time-Lapse: A Day at a Walmart Store

4. Baseball game, fireworks time-lapse

More baseball-themed time lapse videos at Ewen Media

5. Tokyo time lapse

6. Southwest: Building a plane from start to finish

7. Go For Launch! Space Shuttle Movie

8. Le tour du monde en 80 secondes (Around the world in 80 seconds)

 
There are many different ways to create time-lapse videos. Start with Photojojo’s Ultimate Guide to Time-Lapse Photography or check out how to make a time-lapse with your DSLR. You can also stitch photos together to create one or check out iTimeLapse to create time-lapse videos with your iPhone.

 
Also on 10,000 Words:

12 Creative uses of time-lapse photography (and 4 ways to create it)
Composite photography: A new twist to an old medium
Creative and innovative uses of online video





Why you should ditch your company business card

June 8th, 2010

Most company-issued business cards are bleak, soulless things that wouldn’t stand out in a crowd if they had legs and a 5-foot ladder. If the new era of journalism is all about branding and self-promotion, then you’ll need a business card that won’t get lost in the pack. Considering the inexpensive cost of getting business cards printed, there are very few reasons you shouldn’t create something a little more snazzy.

You have two options when creating a business card: either create one that incorporates your company logo or insignia (hi-res versions of which you can grab from a staff web producer) or create one that just has your name, occupation and personal info. This way you can have both your company business card and something more personal/informal you can also hand out to potential connections.

If you don’t have the design chops to create your own business card, you can either use an interesting template or ask a designer friend to help you out (though you should pay them something fair…no designer wants to work for free). If you need inspiration, you can check out one of the many posts on the web that showcase unique or interesting business cards, including this one, this one, and this one. You can also check out my business card here.

Once you have your design, you can use an online retailer like VistaPrint (which I personally recommend) or support local businesses and visit your local print shop. Just to give you some ideas, here are business cards from 10,000 Words readers:

Some say that paper business cards are dead, but this is far from true. Most professionals are expected to have a business card on hand to distribute, even if it only lists your online/social media presence. If you insist on ditching the cards and saving a tree, check out the app Bump for iPhone and Android which allows you to share your contact info with another person by simply bumping your phones together.

 
Also on 10,000 Words:

15 Journalists’ outstanding personal portfolios
Pump up your portfolio via mobile or video
20 Photojournalists’ fantastic portfolios





10,000 Words, 10,000 Followers. Time to celebrate!

June 4th, 2010

As a thank you to everyone for following this blog and to commemorate an upcoming 10,000 followers on Twitter, 10,000 Words is going to give away lots of goodies via Twitter!

The big giveaway will happen all day Tuesday, June 8th, provided the 10,000 Words Twitter feed has reached the appropriate number of followers by then. If not, check back on this blog post to see when the giveaways will happen.

 


 
Want to get in on the action early? Just send a tweet with a link to your favorite 10,000 Words post and include “@10000Words” in the tweet. 10 entrants will be randomly selected and each will win a $10 Amazon gift certificate!

The only way you can participate is to follow @10000Words on Twitter. If you aren’t a Twitter member, join now, tell your friends, and we can get this party started! And, of course, a big thank you to everyone for following 10,000 Words!

 
 
Click for larger size





The best journalism you’ll see today: “Prison Valley”

June 2nd, 2010

10,000 Words rarely features individual projects (the tradition has been to show several projects incorporating a specific technology), but Prison Valley is such a unique and fascinating piece of digital journalism that it merits its own post.

Prison Valley is an interactive documentary that takes full advantage of the web to tell the story of Cañon City, Colorado, a prison town whose residents and livelihood stem from the incarceration of local inmates. The project is unique in its incorporation of video, social media, blogging, and even a mobile application to tell a single story.


 

The beautifully-shot digital video is what initially pulls the viewer in, using arresting visuals to show the bleak town while locals recount the problem the Colorado city faces. The interviews and nat sound are followed by a narrator explaining the importance of the story.

There are a million and one video documentaries on the web, but Prison Valley sets itself apart by utilizing the full computer screen rather than an embedded video. This also encourages the audience to be immersed and pay greater attention to the story than they would with a smaller embedded video. The project also includes photos displayed with the Ken Burns effect and multiple video clips that appear at once so the audience always has something to focus on. The project also includes interactive elements that encourage the viewer to explore various details of the story.



 

If the viewer at any time leaves the site and returns later, he or she can pick right back up where they left off. Viewers are also encouraged to go deeper in the story by following the project on Twitter and Facebook. The project also features regular updates on its blog.


 

As previously mentioned, Prison Valley also has an iPhone app. Viewers can access photos, slideshows, discussion groups, and behind the scenes info all from their smartphone.


 

In an email interview, co-director David Dufresne, a documentary director and former print journalist, explained how the project came together (translated from French):

“At first, we wanted to create an audio slideshow. And it ended up being what you saw: a web documentary for the Internet with an iPhone version as well. Arte (a French-German TV channel) will broadcast the movie during prime time and it will be followed by a debate on imprisonment. Other European TV channels are interested in the movie part of the project. And we are also working on a photo album which will be available in September. Each time, we’re trying to adapt the story to the various media. It is essential: the same story is told in different ways according to the medium.

“The subject (the prison industry in the United States) was not necessarily accessible for a general audience. Yet, the success of ‘Prison Valley’ showed that you can address these themes and still meet an audience. This was obviously one of our bets. Thus, we organize chats every Thursday which are part of our program (with the French Justice State Secretary, political and union activists, etc.) and I have to say we are always surprised to see that a lot of people are taking part and asking questions. We also bet on the length, on a long format. I can tell you that almost 25% of the people who log in to Prison Valley watch the entire movie (59 minutes) and most of the bonuses.”

“Because journalism, in France as well as in the United States, is going through its most serious economic and ethical crisis and it is about time it began questioning itself. And reinventing itself. I mean, we have to try and tell stories in a new way, still being rigorous and serious of course, but using different codes, different grammars, different production tools, different ways of reporting facts and of being reporters.”

Prison Valley is the epitome of multimedia journalism, using the right media to tell various aspects of the story to help the viewer better understand it and follow along. The project doesn’t feel forced, it looks amazing, and the viewer is in total control of which part of the project they view. In short, every journalist should at least view the project, if only to see what the what is possible in digital journalism.

 
Also on 10,000 Words:

10 Inspirational New York Times multimedia and interactive features
Multimedia Picker: Choose the right medium for your message






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